Henry Chinaski is a lowlife loser with a hand-to-mouth existence. His menial post office day job supports a life of beer, one-night stands and racetracks. Lurid, uncompromising and hilarious, Post Office is a landmark in American literature, and over 1 million copies have been sold worldwide.
On Writing reveals an artist brutally frank about the drudgery of work and canny and uncompromising about the absurdities of life—and of art. It illuminates the hard-edged, complex humanity of a true American legend and counterculture icon—the “laureate of American lowlife” (Time)—who stoically recorded society’s downtrodden and depraved. It exposes an artist grounded in the visceral, whose work reverberates with his central ideal: “Don’t try.”
In On Love, we see Charles Bukowski reckoning with the complications of love and desire.
Alternating between the tough and the tender, the romantic and the gritty, Bukowski exposes the myriad faces of love in the poems collected here – its selfishness and its narcissism, its randomness, its mystery and its misery, and, ultimately, its true joyfulness, endurance and redemptive power.
Whether writing about his daughter, his lover, or his work, Bukowski is fiercely honest and reflective, using love as a prism to look at the world and to view his own vulnerable place in it.
‘A cat is only ITSELF, representative of the strong forces of life that won’t let go’. For Charles Bukowski, there was something majestic and elemental about cats. He considered them to be sentient beings, whose searing gaze could penetrate deep into our being. Cats see into us; they are on to something.
An illuminating portrait of one very special writer and a lifelong relationship with the animals he considered his most profound teachers, On Cats brings together Bukowski’s reflections on the ruthless, resilient, indigent and endearing creatures he so admired.
Mockingbird Wish Me LuckMockingbird Wish Me Luck captures glimpses of Charles Bukowski’s view on life through his poignant poetry: the pain, the hate, the love, and the beauty. He writes of lechery and pain while finding still being able to find its beauty.
Love Is a Dog from Hell
A book that captures the Dirty Old Man of American letters at his fiercest and most vulnerable, on a subject that hits home with all of us. Charles Bukowski was a man of intense emotions, someone an editor once called a “passionate madman.” Alternating between tough and gentle, sensitive and gritty, Bukowski lays bare the myriad facets of love-its selfishness and its narcissism, its randomness, its mystery and its misery, and, ultimately, its true joyfulness, endurance, and redemptive power.
Hot Water Music
The stories in Hot Water Music dash around the worst parts of town – a motel room stinking of sick, a decrepit apartment housing a perpetually arguing couple, a bar tended by a skeleton – and depict the darkest parts of human existence. Bukowski talks simply and profoundly about the underbelly of the working class without raising judgement.
Henry Chinaski, Bukowski’s alter-ego, is pushed to translate a semi-autobiographical book into a screenplay for John Pinchot. He reluctantly agrees, and is thrust into the otherworld called Hollywood, with its parade of eccentric and maddening characters: producers, artists, actors and actresses, film executives and journalists. In this world, the artistry of books and film is lost to the dollar, and Chinaski struggles to keep his footing in the tangle of cons that comprise movie making.
One of Charles Bukowski’s best, this beer-soaked, deliciously degenerate novel follows the wanderings of aspiring writer Henry Chinaski across World War II-era America. Deferred from military service, Chinaski travels from city to city, moving listlessly from one odd job to another, always needing money but never badly enough to keep a job. His day-to-day existence spirals into an endless litany of pathetic whores, sordid rooms, dreary embraces, and drunken brawls, as he makes his bitter, brilliant way from one drink to the next.